Jesus Christ Superstar – Capitol Theatre (NSW)

Lyrics by Tim Rice and Music by Andrew Lloyd Webber, Directed by Timothy Sheader, Choreography by Drew McOnie.

A high-octane performance that electrifies the stage with its audacious take on a timeless rock opera

Reviewed by Tessa Miles

Capitol Theatre, Sydney

Until 26th January, 2025

Tickets: https://www.capitoltheatre.com.au/jesus-christ-superstar/

Jesus Christ Superstar at the Capitol Theatre delivers a high-octane performance that electrifies the stage with its audacious take on Andrew Lloyd Webber’s timeless rock opera. This production pulses with raw energy, anchored by show-stopping performances and striking visual storytelling. 

Michael Paytner (Jesus) and Mahalia Barnes (Mary Magdalene) deliver powerhouse vocals that carry the emotional weight of the show, elevating their roles into something extraordinary. Paytner’s haunting portrayal of Jesus feels both human and divine, capturing his vulnerability, anguish, and quiet resolve with an intensity that resonates deeply. His vocal range and emotive delivery make every note feel like a plea, a cry, or a declaration, pulling the audience into his inner turmoil. Barnes, meanwhile, brings an unparalleled warmth and soul to Mary Magdalene, her rich and tender voice transforming her songs into heartfelt confessions of love and devotion.

Jesus Christ Superstar, Capitol Theatre (2024). Images by Jeff Busby.

Javon King’s portrayal of Judas is a standout performance, bringing a complex mix of vulnerability, ferocity, and anguish to the character. His commanding stage presence and powerhouse vocals capture the inner turmoil of a man torn between loyalty and disillusionment. King’s ability to navigate Judas’ moral conflict with raw emotion makes his betrayal feel both inevitable and heartbreaking, leaving an indelible impression on the audience.

Reuben Kaye’s flamboyant and razor-sharp take on Herod is a show-stealing moment, blending biting humour with a sinister edge that lingers long after his brief, yet highly memorable scene. Peter Murphy’s Pilate is a study in quiet power and escalating desperation, his nuanced performance capturing the weight of impossible decisions. Elliot Baker’s commanding baritone as Caiaphas adds gravitas to his role, exuding authority and menace, while John O’Hara’s Annas provides a perfect counterpoint with his sly, calculating presence and sharp delivery. Together, these performances add layers of intrigue and tension, elevating the stakes of the narrative.

This retelling of Jesus Christ Superstar proves why this musical remains irresistible

The ensemble is dynamic and vigorous, showcasing choreography that demands as much physicality as it does precision. Their seamless movements and palpable energy underscore the chaos and fervour of Tim Rice's unfolding dramatic lyrics. 

Visually, this production is a feast for the eyes. The costume design cleverly reflects the social hierarchy, with the suffering and impoverished followers contrasting against the authority of others in the narrative. The set design (Tom Scut) is equally inspired, with the use of the cross as an elevated ramp both a literal and metaphorical highlight—serving as a constant and looming reminder of what was to come, its presence underscored the inevitability of the story’s tragic conclusion.

The story remains as gripping as ever, with this version offering a modern, thought-provoking edge that makes it resonate anew. While not without moments of uneven pacing, the sheer intensity and brilliance of the production keep audiences enraptured. This retelling of Jesus Christ Superstar proves why this musical remains irresistible—delivering spectacle, emotion, and a fresh perspective that demands to be seen.

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Creatives

Tim Rice. Lyrics

Andrew Lloyd Webber. Music

Timothy Sheader. Director

Drew McOnie Choreography

Tom Scutt. Designer

Tom Deering. Musical Supervisor

Lee Curran. Lighting Designer

Nick Lidster for Autograph. Sound Designer

Alli Coyne. Associate Director

Michael Riley. Associate Musical Supervisor

Ashley Andrews and Christopher Tendai. Associate Choreographer

Shaun Rennie. Associate Director (AU)

Laura Tipoki. Musical Director (AU)

Bree Tipoki. Resident Choreographer (AU)

Gavan Swift. Associate Lighting Designer (AU)

Michael Waters. Associate Sound Designer (AU)

PRODUCERS: JOHN FROST AND DAVID IAN FOR CROSSROADS LIVE AND WORK LIGHT PRODUCTIONS

Michael Paynter

Jesus (Sydney, Melbourne and Brisbane)

Robert Tripolino

Jesus (Perth)

Javon King

Judas

Mahalia Barnes

Mary

Reuben Kaye

Herod

Peter Murphy

Pilate (Sydney and Perth)

Elliot Baker

Caiaphas

John O’Hara

Annas

Joshua Dormor

Priest | Ensemble

Darcey Eagle

Mob Leader | Ensemble

Josh Gates

Ensemble

Samuel Harmon

Ensemble

Melanie Hawkins

Ensemble

Marie Ikonomou

Ensemble

Graeme Isaako

Simon | Ensemble

Ethan Jones

Priest | Ensemble

Tana Laga’aia

Peter | Ensemble

Bella Massey

Swing

Danielle Matthews

Soul Singer | Ensemble

Calista Nelmes

Soul Singer | Ensemble

Adam Noviello

Priest | Ensemble

Stellar Perry

Soul Singer | Ensemble

Nathan Pinnell

Dance Captain | Swing

Daniel Raso

Fight Captain | Swing

Clay Roberts

Ensemble

Josh Spiniello

Ensemble

Bree Tipoki

Resident Choreographer | Swing

Liam Wigney

Ensemble