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It’s a slow burn type of mystery that could pay dividends if its audience is willing to sit and truly

Images by Daniel Boud   Tim Draxl as Joe and Ashleigh Rubenach as Betty both have energy to burn and

SET AND COSTUME DESIGNER BERNIE TAN-HAYES. LIGHTING DESIGNER BRADY WATKINS.

the piece comes through in the thick haze that infiltrates the space from the start, a small scent of burnt

A poignant ritual in the story involves them burning paper effigies of gold bars, ingots, and hell money

Changing from reds to blues to smoky fire orange when the Town Hall inevitably burnt down (as seems to

Morrissey also uses it to make a comment on the You that is buried with that person.

Although the narrative begins as a bit of a slow burn, by the end of act one, the audience are glued

small space, with tight staging and lighting supporting the quick turnarounds – we know a bonfire is burning

Two of the young male dancers looked remarkably like Sergei Polunin, the firebrand young dancer who burned

Ken Billington Sound Design - Julian Spink Script Adaptation - David Thompson Orchestrations - Ralph Burns

furious at himself for not taking the opportunity to sell last month, he’s left with no option but to bury